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Marketing is driving culture as promotional campaigns overshadow the offerings they seek to elevate — in fashion, music, art and film. With fashion weeks taking place around the world and awards season well underway, the hype machine is operating at full throttle. Fashion houses seemingly no longer hire creative directors for their design skills or aesthetic vision but for their marketing prowess. For Louis Vuitton, however, the show was an unqualified success: The star-studded spectacle attracted over a billion online views. But now the hype often precedes and overwhelms the product, to the point that the product seems almost irrelevant to its own success.
Persons: ” Sidney Toledano, Dior, Pharrell Williams, Williams, Louis Vuitton, Cathy Horyn, it’s, , , Pietro Beccari, ” “ Barbie, Barbiemania, Josh Goldstine Organizations: Warner Bros
Opinion | The Met Gala, or When Fashion Consumes Art
  + stars: | 2023-05-01 | by ( Natasha Degen | ) www.nytimes.com   time to read: +1 min
The Met Gala began in 1948 as a $50 fund-raising dinner. The fanfare surrounding the event takes center stage: celebrity selfies, red-carpet gossip and attention-seeking fashion stunts. The Met Gala is perhaps the most high-profile example of a much broader phenomenon: the accelerating convergence of art and fashion. It raises millions for the Met ($17.4 million last year) and generates more “media impact value” than the Super Bowl. Michael Burke has called the Met Gala “the pinnacle of our business.”
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